10 Chord Progressions by AI

1. A chord progressions that’s never been done before

As an AI language model, I can't guarantee that this chord progression has never been used in a song before, but I can create a unique chord progression for you to experiment with:

| D | C | F#m | Bm | | Em | G | A | D |

This progression starts with a D major chord, followed by a C major chord, which creates a sense of tension right off the bat. We then move to F# minor, which adds a darker and more mysterious element to the progression. The B minor chord that follows provides a sense of resolution and stability.

We then move to the relative minor of G major, which is E minor, and then to the dominant chord of A major. Finally, we end on the D major chord again, which creates a sense of resolution and completion.

Overall, this progression has a slightly melancholic and introspective feel, but it also has a sense of forward momentum and resolution. You can experiment with different rhythms, melodies, and instrumentation to create your own unique sound.

2. Diatonic chord progression formula

Choose a key and use the diatonic chords of that key to create a progression. The diatonic chords are the chords that naturally occur in the key. Here's a formula you can use:

| I | IV | V | vi |

| ii | V | I | IV |

| vi | iii | IV | V |

3. Circle of fifths chord progression formula:

This formula uses the circle of fifths to create a progression that moves in a logical and satisfying way. Here's a formula you can use:

| I | IV | vii° | iii | vi | ii | V | I |

4. Borrowed chord progression formula:

This formula involves borrowing chords from other keys or modes to create interesting and unexpected progressions. Here's a formula you can use:

| I | bVII | IV | bIII | | vi | bVI | V | IV |

You can experiment with these formulas by choosing different keys, chord qualities, and rhythmic patterns. You can also modify the formulas by adding or subtracting chords, changing the order of the chords, or repeating sections of the progression. Have fun exploring!

5. Secondary dominant chord progression formula:

This formula involves using secondary dominant chords to create tension and resolution. Secondary dominant chords are chords that lead to a chord other than the tonic. Here's a formula you can use:

| I | V/vi | vi | V/iii | | iii | V/IV | IV | V |

6. Modal interchange chord progression formula:

This formula involves borrowing chords from a parallel key or mode to create a progression with unexpected chord changes. Here's a formula you can use:

| I | bVII | IV | bVI | | I | bIII | IV | bVI |

7. Chromatic chord progression formula:

This formula involves using chromatic chords to create a sense of movement and tension. Chromatic chords are chords that are not diatonic to the key. Here's a formula you can use:

| I | I+ | bVI | iii7b5 | | iv | ivm | V | I |

You can experiment with these formulas by changing the chord qualities, adding or subtracting chords, or altering the order of the chords. You can also use these formulas as a starting point and then make modifications to create your own unique chord progressions.

8. Pedal point chord progression formula:

This formula involves using a pedal tone, which is a sustained or repeated note, to create a sense of stability and grounding. Here's a formula you can use:

| I | V | vi | IV | | I | V | iii | IV |

The first half of the progression has a I - V - vi - IV pattern, while the second half substitutes the vi chord for a iii chord. The pedal point can be played on any note, but it's usually the root note of the I chord.

9. Andalusian cadence chord progression formula:

This formula is a common chord progression used in Flamenco music and has been used in many popular songs. Here's a formula you can use:

| Am | G | F | E | | Am | G | F | E7 |

The progression starts with the Am chord and then moves to G, F, and E. The E chord is usually played as E7 to create a sense of tension and to lead back to Am. The progression can be repeated indefinitely to create a loop.

You can experiment with these formulas by changing the chord qualities, rhythms, and melodies. You can also combine different formulas to create more complex and interesting progressions.

10. Jazz chord progression formula:

This formula involves using extended and altered chords to create complex and sophisticated harmonies. Here's a formula you can use:

| ii7 | V7 | I | vi7 | | ii7 | V7 | I | IVmaj7 |

This progression starts with a ii7 chord, which is usually a minor seventh chord built on the second degree of the scale. It then moves to a dominant seventh chord (V7), which leads to the I chord. The vi7 chord is a minor seventh chord built on the sixth degree of the scale, and the IVmaj7 chord is a major seventh chord built on the fourth degree of the scale.

11. Modal chord progression formula:

This formula involves using chords that are built on the modes of the major scale to create a progression with a modal sound. Here's a formula you can use:

| Dm7 | G7 | Cmaj7 | Fmaj7 | | Bø7 | E7#9 | Amaj7#11 | Dmaj7#11 |

This progression starts with a ii chord (Dm7) in the Dorian mode, which is the second mode of the major scale. It then moves to a V7 chord (G7) in the Mixolydian mode, which is the fifth mode of the major scale. The progression then resolves to the I chord (Cmaj7) in the Ionian mode, which is the first mode of the major scale. The second half of the progression uses chords from the harmonic minor scale, which creates a more exotic sound.

12. Blues chord progression formula:

This formula is commonly used in blues music and involves using a specific chord progression. Here's a formula you can use:

| I7 | IV7 | I7 | V7 | | IV7 | IV7 | I7 | I7 |

The chords used in this formula are all dominant seventh chords, which creates a bluesy sound. The first line of the progression starts with the I7 chord and then moves to the IV7 chord. It then goes back to the I7 chord and ends with the V7 chord. The second line starts with the IV7 chord and then repeats the I7 and IV7 chords before resolving to the I7 chord.

13. Neapolitan chord progression formula:

This formula involves using a Neapolitan chord, which is a chord built on the flattened second degree of the scale. Here's a formula you can use:

| N | V | I | vi |

The N chord is usually a major or minor chord with a lowered second degree, so in the key of C, the N chord would be Db. The progression starts with the Neapolitan chord (N) and then moves to the V chord (G) before resolving to the I chord (C). The vi chord (Am) is used at the end to create a sense of contrast and to lead back to the N chord.